finding the photograph

I'm taking a class this semester called "Photography as Ecological Meditation". The basic format of the class goes like this: we read a meditation written by the professor on a particular topic, we go out and make photographs in response to the meditation, and then pick one to share with the class. Each class session is a slide show where everyone gets the chance to make comments about where the picture takes them. Then the photographer reveals her/himself and gives context and any personal feelings about the image. I like this a lot--it's giving me a chance to approach the emotional aspect of viewing photographs (instead of just the technical) and see some of the amazing work done by my classmates.

The ecological part is pretty flexible--referring broadly to our surrounding environment. So it doesn't have to be any specific kind of nature photograph. The picture above was for the first class--the theme was darkness (what I nice one to start with). Thankfully, the next one was light (balance is good).

It's been an interesting process for me to figure out how to go about making a photograph under these assignments. Do I brainstorm possible images and then go out and make the one that I think will be the best? Or do I go out and explore with my camera, putting on this new filter of a specific theme onto how I see? Do I just try to make what I think will be the coolest photograph that will impress the professor or have the most impact on the class?

This one I happened upon (while not specifically looking), though I saw it because when thinking of images about darkness (particularly personal darkness in the form of depression, something I've dealt with) tunnels were on my mind. Will finding themed projects like this spur my creative possibilities and help me make images I wouldn't have otherwise envisioned? It seems so, my friend. Sometimes structure is good, even for creativity.

By the way, don't worry about what it is, just let it speak for itself ; )

moving and shifting

Being back in school for the spring semester means that life is busy. With a more than full course load, I haven't had much time to blog. If you're reading this, thanks for coming back even though I take so long to update!

As with the rest of my life, I feel like my photography is growing and shifting very quickly right now. I'm using my intution more, letting compositions happen rather than trying to manufacture them. It feels very good to trust myself, rather than trying to control each element by thinking it through and planning what to do. I'm learning that often good things happen if I take the risk of trusting my capacity to respond in the moment (again, both in photography, and life in general).

Yet, I'm unsatisfied; part of me is really bored with my usually genre of nature photography. While I can make pictures that are nice to look at, they don't seem to convey the meaning I want to get across. To tell stories, I need more of a human connection (by taking pictures of people) and to work with images that relate to each other in series, each painting another piece of what I am trying to say. This is sounding a lot like photojournalism.

I've realized that my creative process while doing photography has mostly been in response to my environment. While I sometimes seek out environments that I think will be particularly photogenic (just about any natural body of water, for instance), I usually don't plan or envision a particular photograph or kind of photograph beforehand. I use what I've learned about photography to explore my environment and respond to what I see. This is a very individualistic process, and I find it very meditative. But I'm sure I could really benefit from some collaboration with others.

I have plans to try more street photography in the near future, so we'll see where that takes me. (Yea for spring break next week!)